In music theory, the circle or cycle of fifths (also known as the circle of fourths) is a sequence of notes spaced by intervals of a perfect fifth (clockwise) or a perfect fourth (counterclockwise).
The sequence: C - G - D - A - E - B is formed by intervals of a perfect fifth.
Note that B is a fifth above E, and E is a fifth above A, and so on.
Also note that by reversing the sequence (B - E - A - D - G - C) we have intervals of a perfect fourth, meaning that from B to E we have a perfect fourth interval, and from E to A we also have a perfect fourth interval, and so on.
The study of the circle of fifths can facilitate the understanding of key signatures, scales, key transposition, and harmonic fields.
The circle starts with the C Major key selected.
Note that we have highlighted exactly the notes of the C scale: C, D, E, F, G, A, and B.
We can also observe that none of these notes have alterations (sharp or flat), which determines the key signature of C.
If we analyze the degrees, we will see that we can build the harmonic field from this analysis.
It is also possible to transpose the key by observing the position of the degrees.
The neighboring circle will always have a large number of notes in common.
Turning the circle clockwise adds sharp accidents.
Turning the circle counterclockwise adds flat accidents.
The circle of fifths is an indispensable tool for any musician. It not only facilitates theoretical understanding of music but also provides a solid foundation for musical practice. Whether in composition, performance, or improvisation, understanding and applying the circle of fifths can transform a musician's approach to harmony and melody.